Sunday 31 May 2020

How to Build A Girl (2020)

                                       How to Build a Girl (2019) - IMDb




Where to start with this film?
This film was written by the prodigy that is Caitlin Moran, not a prodigy like Freddie Mercury but a literary prodigy. A person whose words make any situation feel like it could happen at home and you're experiencing it with them. 
Set in the harsh post-Thatcherist Wolverhampton city of North England you see a teenage whose words flow from her like a running tap. The main character played by the American actress Beanie Feldstein is a vibrant northerner in the 90s seeking an outlet and finding it in the intoxicating of watching and reviewing bands. With a vibrant red hairstyle, a cabaret-style outfit and her pen and notepad Beanie steal the screen with a character that I would have loved to be friends with at school. To be a product of that circumstance but finding some starlight to raise herself up, we need all of this. 
The songs sung by Alfie Allen adds to the tone brought by the early 1990s and 1980s music scene and with musical cameos from the Manic Street Preachers you may watch the film waiting for an instruction manual on how to fit in but you leave with an added emotion and vague instructions (as if they were in in french but the pictures can help you anyway).

Despite the book of which the film is based was released six years ago we can't but hope that Caitlin Moran has enough words to encapsulate similar characters as I feel I am not alone in saying these "real" characters allow similarities for the average person and this is what movies should be showing.
Not the pristine white, blonde and skinny girl who has it hard because she is dating the wrong hot person.
We need stories about the working class, the non- average body size, the non-white person. 
So I invite movie and tv companies to find books that exhibit stories of people whom need stories to be told and make them into films. They don't have to be titanic sized blockbusters but as you have the money to promote important messages in the unsure times use it wisely.

This all leads me to give one recommendation:
For any girl, any feminist, any person who is currently finding out who they are, take note because the moral of finding yourself is expressed clearly at the epilogue of this movie. Make errors and learn from mistakes, or just carry make them and wear them on the brim of your awesome hat because in the end all of these things build yourself.
As a twenty-something student, I am still trying to figure themself out and I wish this book had been known to me when I was younger as it may have helped me accept myself. I write this while listening to Lady Gaga's "Born this way" and can't help feel this sums up the movie, it doesn't fit the culture or the time of the film, however, it sums up the fight for people who don't have the privilege as the film said. Yet, as we live only our one life we shouldn't waste that privilege with not living our moments to the extent. Though maybe not the extent lived by the alter ego of the main character, Dolly Wilde.

Friday 29 May 2020

High Note (2020)


The High Note (2020) - IMDb
                                           https://www.imdb.com/title/tt9308382/



During this uneasy time of dread left by the Corona outbreak, this film has shed a little ray of light on my monotonous life. Tracee Ellis Ross gives a performance which seems to truly reflect her life off of the screen; a woman who is famous and relies little on men. This both in her character and her real-life makes her a role model to anyone who wants to confirm to everyone else and themselves that being alone does not mean you are lonely and it is okay.

The soundtrack alone would be a reason as to why you want to watch this film featuring original music for the film as well as songs by Sam Cooke (covered at various points throughout the movie), Phantom Planet (used as a meet-cute) and the legendary Aretha Franklin. However, this does not lay a finger on the soul produced when Tracee starts singing. I tend to determine good music by goosebumps or gut feelings and I got both. It barely took a sec of singing to give a taste of awe in my mouth and a feeling of intoxication made by those notes. If Tracee were to make music, with the crackle and pop given by vinyl I surely would believe that Tracee was an original soul train singer. But along with Tracee, there were the amazing songs sung by Kelvin Harrison Jr. The evolution of his character's singing character may be mimicking his very own as surely with a performance like this we would be asking for a demo very soon.

As a movie this was what I wanted for a music film:
- There was a harmonising of characters (not just musically) which helped with the magnitude of emotions felt on screen making us feel them too.
- Not defining to a single genre. Those looking for romance would find this between Kelvin Harrison Jr and Dakota Johnson making a connection needed to tick this box yet, it would not fully clarify the film to be a romance. The same goes for if the film were to be classed as a comedy or a drama. This film is a happy blended of necessary labels need to make this film interesting and to add texture to the plot. 
- It is not totally predictable. Some of it is predictable however, there are definite twists that would not be obvious unless you were watching the film under an easter egg magnifying glass.

Overall, I would recommend this film (and did as soon as I finished it) to anyone wanting a joy-filling film for people interested in nearly any type of film. With cameos from the likes of Eddie Izzard and Diplo and including minor roles from June Raphael and Bill Pullman. This is a big strive for highlighting race, gender and age inequality seen in Hollywood and the music industry as well as society as a whole. This film is deliverance for multiple voices needed to be heard and the women who wrote and directed this film hit them all on the head, so now we just need to listen (and watch).